The Racholution Will Not Be Televized
On Friday night, I heard the Atlanta Symphony in a tight interpretation of Rachmaninov's second symphony. On Saturday afternoon, I heard Todd Qualls perform an etude-tableau by Rachy. On Sunday afternoon I heard Simon Trpecki at Spivey Hall play a blindingly virtuousic all-Rachman second half comprising the preludes in B-flat major and D major, the transcription of the Scherzo from Mendelssohn's A Midsummer
Night's Dream and his second piano sonata (second version). today I tune in to CD Review and guess whose Vespers are on Building a Library? Anyone? Anyone?

After all that razz, I'm still not convinced that Rachmaninov was a great composer, especially in longer forms. The preludes and etudes-tableaux held my attention best, although I will give the second piano sonata another chance on CD.

Yes, We Have No Bananas and No Qualms
Yes I am temporarily reneging on my promise that this would not be a kitty blog. See below.

Phoebe

Piper

Reverse Psychology
An Indian taxi driver is planning to drive to Pakistan in reverse to help establish peace between the nuclear rivals. (BBC News)

George W. Bush, meet Andrew Ross
More than 60 influential scientists, including 20 Nobel laureates, issued a statement yesterday asserting that the Bush administration had systematically distorted scientific fact in the service of policy goals. "When scientific knowledge has been found to be in conflict with its political goals, the administration has often manipulated the process through which science enters into its decisions," charges the document.

Chris's Political Science Lesson for the Day
“Politics is war by other means." - David Horowitz

"The first casualty when war comes is truth." Origin dubious, but probably Hiram W. Johnson

Chris's Lit Crit Lesson for the Day
The answer is:
History repeats itself, first as tragedy, second as farce. - Karl Marx

The question is:
How did Hemingway's short stories lead to Hemingway's novels and then to the Hemingway-lite mode of mass market paperback writers.

Perfect Pitch
We will watch for jadoo that is not jadery. We will dance a jaleo with mortality, and avoid jaundering unless it turns out to be profound jaundering. We will try to alembicate the salmagundi of motivation but not to laconize at the expense of insight. We will not be the ichoglans of fashion. We will try to fecundate each other's scintillations without utterly abjuring the apodictic. We will remember that John Donne was smarter than us; but we will believe we contain nooks unlimned by him. We hope to jabble the surface of experience until the hansa of Helicon floats near our dripping fingers. May our feluccas return loaded with sublime types of pemmican.
From Mark Halliday's Creative Writing Seminar: Poetry course description

War and Politics

I intended to avoid all discussion of war and politics here, but I'm making an exception today because of this compilation of writers' war commentary. I consider myself a centrist so I'm often turned off by the consistent leftism of the arts. The leftist perspective seems so uniform that many artists appear to create leftist art solely to engage in a circle jerk with other artists. (Pardon the crass metaphor.) To create truly fresh art, today's artists might benefit from pushing a centrist or rightist stance in their art, although a nonpolitical stance would probably be the most tasteful option.

The above compilation, however, turned me on to at least eight writers who are pro-war or agnostic. Alan Sillitoe's contribution is worth reading, but Francis King's response is the closest to mine. The strangest response came from Beryl Bainbridge, who refers to the Holocaust but ignores that it ended when the Allies defeated Nazi Germany.

I have an agnostic perspective on political art. Some artists (see Wilfred Owen) do it well. Others (see Shostakovich) have mixed results and often receive more acclaim for banal yet political works (see Shostakovich's 7th and 8th symphonies) and fewer plaudits for their lively, witty works (see Shostakovich's 1st and 15th symphonies). We can hope that such reverse aesthetic discrimination will eventually diminish over time. Finally, I am certain that many writers and poets who expressed their anti- or pro-war stance produced utterly banal works, but their crime is not so great because those works will soon be forgotten.

(Link thanks to Chuck Tryon.)

Bill Wiseman Drafted the Law Allowing Lethal Injections, Then Lived to Regret It [Davidsonians in the News]

Roger H. Brown, Davidson graduate, is First Non-Member of Berk Family to become President of Berklee College of Music [Davidsonians in the News]

Pithy Flaubert Criticism
So she killed herself. She deserved it, the sleazy tramp.
Read on . . .

P.D.Q. Bach & Peter Schickele The Jekyll & Hyde Tour [Atlanta Event]

Saturday, February 14 at 8 p.m.
Ferst Center for the Arts

"Madras on Rainy Days" by Samina Ali [Atlanta Event]

Thursday, February 19th
Margaret Mitchell House. 990 Peachtree Street.
6:00 Reception, 7:00 Author's Talk
Admission: $8 for non-members, FREE for members
Call 770.578.3502 for reservations

From the Press Release--

Madras on Rainy Days is a striking novel from a new voice in fiction, Samina Ali, the first Muslim Indian woman to be published in the U.S. Set against the backdrop of the ancient city of Hyderabad and mounting Hindu-Muslim tensions, the novel lyrically evokes the complexities of life behind the chador, the black cloak and head covering worn by Muslim women.

Ali's own experience as a woman raised in both the U.S. and in India closely mirrors that of her protagonist, Layla. Like her main character, Ali reluctantly agreed to an arranged marriage only to find her mate had compromised something as well, his sexual freedom. In "Madras on Rainy Days", she deftly explores the taboo of homosexuality within the Indian Muslim community, as well as the conflicts over freedom of thought and expression that many modern Muslims face.

Ali was born in Hyderabad and was raised there and in the Minneapolis/St Paul area. She received her M.F.A. from the University of Oregon. She lives in San Francisco with her son.

More on Academia
From a comment by moof1138 in a Crooked Timber thread entitled Conservatives in Academia:

The labels ‘conservative’ and ‘liberal’ take on new and peculiar meanings in Academia. For instance, I believe in affirmative action, increasing taxes on the rich, socialized medicine, I am pro-legalized abortion, hold Christianity to be institutionalized ignorance, and donate to the ACLU. In all you could say I am pretty left wing. Except when I was a grad-student in Classics.

Then I was called at various times a Nazi, a Fascist, compared to the French Aristocracy prior to the revolution, and labelled ‘arch-conservative’ more than once. Why? I rejected relativism, ridiculed deconstructionism, was in favor of the traditional Canon as core reading in the Humanities, had the audacity to point out the many egregious historical errors that certain Black Studies and Women’s Studies professors made (the former blatantly making stuff up about Egypt, the latter Crete). I also ‘proved’ I was a right-winger by explaining the etymology of the word ‘history’, after someone used the term ‘herstory.’

Intellectual conservatism and political conservatism are quite different things. Intellectual conservatives can actually manage in Academia if they have the stomach for it. Political conservatives… to redraw blunt lines mentioned above, they are generally either stupid or selfish. If stupid, they won’t make it in Academia. If selfish, they’ll recognize they won’t make money in Academia.